A beautiful background and strong hook open this sci-fi short story when a woman comfortably awakens in her bed only to see Earth looming overhead through the skydome in her bedroom compartment. Her husband, the only other resident of the lunar biodome [and of the moon, period] isn’t in the bed with her. The casual mystery of his absence turns serious when she finds him in the rainforest dome beneath the chittering bush babies. Dead. Of a stab wound.
NASA confirms that the cameras system winked out hours earlier in an apparent glitch. Suicide? Sleepwalking murder? Or something more nefarious? Gwen keeps her head long enough to reach out the her ex she wronged years earlier. He’s the detective and mystery writer. He’s the ex-fiancee she left for his roommate–her now dead husband on a satellite with a current living human population of 1.
Gwen and Jonas have 5 days to solve the mystery before less caring governmental and business forces come up to clean up and cover up the mess . . .
The tale unspools on multiple timelines after the opening. There’s the baggage-laden history of Jonas and Gwen filtering the lens of the current time murder mystery. Jonas doesn’t sit comfortable in his equal mistrust of Gwen and of government and business interests. Nor has he forgiven his ex-roommate. The pace, tone, and voice make this a winner.
This tale was a quarterly contest winner appearing in Writers of the Future: Volume 33 edited by David Farland.
Despite the innocuous title, this vignette is about violence–horrible, horrible violence. A parallel is drawn. A zombie is a human that has become so inhuman as to destroy and consume that of another human. A rapist is a human that has become so inhuman as to destroy and consume that of another human . . .
When your income hit the high six figures there was no such animal as date rape.
Based on the amount of money a privileged and empowered man spent over dinner, he assumed his right to have sex with his date. He doesn’t ask permission or create safe words. He destroys her clothes cutting them off. Ties her up to be kinky and puts a mask on her that suffocates her. Everything could have been consensual if he had only asked or cared.
Panting, he lumbered immediately to the bathroom. When he returned, Amelia had not changed position, and he finally noticed she was no longer breathing.
Sometimes it went down that way, he thought. The price of true passion, however aberrant. But she was still moist and poised at the ready, so he opted to have one more go.
The metaphor is completed in the second half of the vignette. Perhaps a bit heavy handedly, but the point is made. There’s not enough plot for a short story here, but that’s not the purpose. Tables turn quickly, if not misogynistically. While she’s eating through the leather mask and his face with one orifice, another orifice seems to have grown teeth and castrated the rich rapist . . .
This tale appears in Book of the Dead edited by John Skipp and Craig Spector.
Where urban fantasy and detective noir come together lies a fertile field to explore the human [and non-human] condition. The detectives themselves are often the fantastical variant. This collection brings together tales of a zombie, 2 vampire, 3 werewolf and 7+ wizarding detectives, among others, providing an external view of the modern human life. Also included are a couple supernatural Sherlock Holmes tales and a handful of ghost tales with a couple stretching all the way back to the Elizabethan era. The crimes are mostly murders which by nature shatter the accepted human social ethics.
This diversity of tales despite a common sub-genre is reflected in my top 3 each meriting 5-stars and in my “honorable mention” 3 earning 4-stars. I’ve reviewed and rated each of the 23 tales included.
–Jim Butcher’s “Love Hurts” [5 stars] depicts an intimate look at his Chicago-based wizarding detective, Harry Dresden, as he tries to stop a series of curse-induced love-suicides. –Neil Gaiman’s “The Case of Death and Honey” [5 stars] tells a heart-felt Sherlock Holmes from a vantage beyond both Watson and Holmes. –Charlaine Harris’ “Death by Dahlia” [5 stars] circumstantially places an ancient vampire in the role of detective when a political vampire coronation of sorts is disrupted by a murder. –Patricia Briggs’ “Star of David” [4 stars] tells a familial tale when a werewolf mercenary is called upon by his 40-years estranged daughter. Faith Hunter’s “Signatures of the Dead” [4 stars] pairs an elemental witch and her coven-family with a shapeshifter to solve an Appalachian vampire problem. Jonathan Maberry’s “Like Part of the Family” [4 stars] depicts the canine-like loyalties and ethics of a werewolf evening the playing field in defense of domestic and sexual abuse survivors.
The cutthroat world of internet startups and social networks reveals its darkest side in this thriller about e-commerce and murder. Most enjoyable are the descriptions of the slapdash, duct tape protocols of the startup office–people living at the “office,” and job interviews at nightclubs.
Dan’s a freelance coder with not enough business coming in. The relationship with his live-in girlfriend has hit the doldrums. Then he lands the interview with Former.ly, an up-and-coming, start-up social networking site . . . for the dead. Clients write their bios while alive, but it doesn’t post until they’ve died. Death = money.
The company runs on high secrecy, sloppy logistics, and the skin of its teeth. Until a company party ends with a murdered journalist. The press is all over it.
The quirky staff of Former.ly feel both the stress and thrill of burgeoning success as questions and deaths propel their business . . .
Chicago has had its fair share of supernatural detectives–most notably, Butcher’s Harry Dresden the wizarding detective of the modern era. This fun tale takes detective noir and Chicago back to its 1930’s bootlegging, gangsterland roots. Detective Jack Fleming happens to be a vampire, his partner, Charles Escott, isn’t. Together they right wrongs–at least as far as their clients are concerned.
This case involves a stolen inheritance of a rare yellow diamond called Hecate’s Golden Eye. It may be cursed, if one believes that sort of thing. What ensues is a mad scramble of alliances and subterfuge all taking place within a few hours on a single evening as money, the jewels and counterfeits aplenty play the Old Shell Game between the various suspects, clients and detectives.
Jack’s vampiric traits play a role in solving the case. Especially helpful is his ability to hypnotize and turn incorporeal.
This tale appears in Weird Detectives: Recent Investigations edited by Paula Guran.
Addiction, Recovery and Relapse resonate throughout this graphic novel depicting a world of superheroes and supervillains. One man walked away from it all: the fame, the rush. Tom’s become a pencil pusher taking it one day at a time. Not even his girlfriend knows of his storied past. The public never knew what it took for him to perform–LCD. Anything to remove the self-doubts.
Then his HR rep, Walter, recognizes him for who he was. mire of Walter, too, dabbles in the world of Super hidden beneath a mundane facade. He takes Tom to a group of underperforming Supers. Tom’s not interested in unleashing his great potential again. He was too strong, too able. But Walter laces Tom’s drink to unlock the dormant Super . . .
The art is compelling, adeptly circumventing the mire of exposition and lengthier dialogues. Key images explode off the page with restrained use of color until necessary and with beautiful choreography of silhouette and drama.
However, it is the story that makes this highly recommended. Tom’s brooding and interactions with family members, friends, lovers, and potential colleagues feel real. Surrounded by well-meaning people, he’s alone.
I received this title directly from the artist when we met at Chicago’s C2E2 convention of comic and graphic novel artists.
Like a blend between Minority Report and Inception this tale has police detectives enter highly detailed simulated scenes from the past to unravel crimes. These scenes are called snapshots, and only the investigators know that they are real as the simulations of everyone else only thinks they’re real unless proven otherwise.
Twists happen, as the investigators decide to step outside of the crimes they’re sent to investigate, in favor of some they aren’t . . .
While comparisons can be made to other tales, what’s really interesting in this tale is what it doesn’t explain. The actions are taking place essentially currently, except the world is not the Earth we know it to be. The United States is not what it was in this divergent timeline in which city-states populate North America. Also merely dangled off-page is the process by which “snapshots” are created. Intriguingly, some sort of biological element or cryptozoological creature is involved. This world begs for another tale to be set here.