Two platform clocks mock the overcoats.
They’re eight seconds incongruous.
One celebrates raindrops-splattering-across-slick-concrete-&-heated-rails
the-panicked-retreat-of-pigeons-who-have-learned-nothing-for-centuries
the-marking-of-seconds-shivers-&-motes.
The other acknowledges flies-that-orbit-too-close-on-sickly-hot-days
the-clink-of-coins-in-the-trembling-hands-of-vagrants
the-dots-&-iotas-until-an-approaching-train-whistles.
They are eight seconds incongruous;
neither is correct according to my watch.
The train ignores all three.
Each briefcase settles and resettles into its overpadded seat.
Most face stiffly forward; but I have a window–
a suppressed lurch–the film reluctantly unreels.
The platform sidles off and hazily grows distant.
All too soon, the post-post-post-tree-post-tree-post-barn-gate-
drive-house-barn-post-post-tree-post-tree-post-post-post
of each passing farm marks the sound of the tracks.
From further pastures, knowing cattle note the train,
saddened by the abrupt disturbance.
Beyond, mists shroud still hills.
Hamlets nestle into the valleyed nooks.
Each is a Brigadoon.
A mute flurry-o’-leaves distracts.
Wind!
whipping-grasses-into-frenzied-swirls-&-cowlicky-whorls
coaxing even the trees into the tidal pull.
The cold window belies the fresh breezes
trying to penetrate my stagnant capsule.
Factories with immediately dispersing smoke appear.
Terrace houses appear.
A station lazily approaches—minutes behind schedule.
Overcoats are waiting.
The standstill matches the tinted-glass staleness.
[Check out other original poems here.]