Two beloved Victorian Christmas stories get reworked into the same world in this collection of 2 novellas. E.T.A. Hoffmann’s The Nutcracker and the Mouse King opens the series in a barely re-imagined format. The novella more than just liberally borrows from the original, it offers almost nothing new which is disappointing. Mostly, it seems to be pure set up for Hoffmann’s tinkerer character [Drosselmeyer] to be the main manipulator in other tales now set in his trippy world, one foot in the land of Fae.
The second novella slightly tweaks Charles Dickens’ A Christmas Carol but imagines that the 3 ghosts are Drosselmeier’s doing. More promising is the shift in POV to that of Jacob Marley, Scrooge’s dead business partner that opens the Dickens’ version as the haunt coming before the 3-act spiritual crash course in being a decent human being. The promise lies in the queer re-telling with Marley admitting his forbidden love for Scrooge and taking responsibility for how Scrooge turned out.
Unfortunately, the promise doesn’t pay off with new content, it merely acts as a queer filter as the original novel plays out around it. A veneer of 21st century queer acceptance and psychology is provided by Drosselmeier and friends to the ghost Marley in and around their torment of Scrooge.
Many classical tales have received successful reworks, such as The Wizard of Oz inspiring Wicked. The success comes in the new scenes that shape the original tale anew. It’s all about the new content that applies the new slant. And that’s what’s missing here, new content. It’s scene for scene, the original tale without the original author’s name on it.