Graphic descriptions of rape should not be thrown around lightly. There are certainly stories where rape figures into the plot if not standing central to the entire story. When it is written about, all of the characters from the perpetrators and witnesses to the victims must feel real even in the unreal world of urban fantasy. This tale doesn’t pass the test. An analogy can be made between the extreme violation of rape and the live cannibalism of zombies, even to the extent of showing an acquaintance or relative turn zombie or rapist. Perhaps the unreal, palatable violence of fantastical zombie predation is made real and shocking by the analogy to rape. However, characters acting as caricatures and inconsistent treatment of the zombies lessens any analogy to be made here. Needless to say–spoiler alert–this tale includes graphic rape.
Martha works at the Diner in her small rural Southern Colorado town. She harbors a crush on the deputy sheriff, Bobby Mack, seemingly the only person in town [woman or man, priest or layman] not coming on to her. On the morning the zombie apocalypse becomes real for this small community, the men are surprisingly ready. Hernandez flippantly remarks that one of the 6 old women clawing at the front glass of the Diner is his mother. He then proceeds to go outside and shoot her in the head before turning the gun on the other undead. Considering that these are the first zombies he’s ever seen, that’s pretty fast adjusting to the new reality. Or he’s just that psychopathic . . .
In this small town, both the living and the undead are predators.
This tale appears in Book of the Dead edited by John Skipp and Craig Spector.
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