A clear world-building fantasy, this novel paints nearly everything and everybody without nuanced shades of gray. The trio of Priestesses [the maiden, the mother and the crone] are everything good and righteous in the world. Their white light magic can revive the dead, purify water and cast out dark monsters and magic. Residing in the capital city of the central kingdom [Valorholme], their influence lords over all other realms. They’re also comically masochistic, self-righteously insufferable and largely unlikable as they impose their will on everybody.
The opposing nation of Briarcroft is depicted as all that is evil. Curiously, the sun never shines there and nothing but briars grow there despite lying just west of the mountains bordering Valorholme. Briarcroft understandably wants to bring the sun back to their land and to be freed from dependence on the whims of self-righteous Valorholme. Their reliance on dragons and ghouls to achieve their means are less noble.
The tale borrows heavily from Greek and Biblical mythos as it introduces unstoppable heroes of inhuman proportion. This includes wholesale attributing the Heruclean slaying of the Hydra to a living hero of this novel.
The narrative prefers to jump from epic confrontation to epic confrontation without character development. Substories with merit, such as the conflict between the royals and religious orders of Valorholme, are left unfilled. Characters slip from the narrative when they should not. And disjointed scenes sit uneasily within the tale such as the one-off vampire castle. Missing from this tale is a single character that feels relatable and real, if not likable.