This is the author’s sophomore collection, following the highly enjoyable and equally absurdist Nothing Is Strange. Like its predecessor, “[t]his collection of absurdist vignettes follows in the footsteps of James Thurber, Bohumil Hrabal, and Donald Barthelme in offering social commentary on the modern human condition while riding the line between allegory and surrealism.”
If anything, this collection is tighter in its voice and subject matter. It’s equal parts “Man vs the Universe” and “Relationships between People.” Indeed, one vignette is titled “Dr. Dennis and the Universe” which contains perhaps the most quotable one-line of the entire collection with the thrice-repeated:
Sometimes the suffering of one individual is so great that it renders unjustifiable any purpose that the universe could possibly have.
Grief has never been better summarized.
Another tale seems to poignantly comment on today’s current American political mantra:
” . . . one has to adjust one’s beliefs if they are contradicted by evidence presented, doesn’t one?”
“No,” the Professor said, “one does not. I will never have to adjust my beliefs because my beliefs are correct. If evidence is ever presented that appears to contradict my beliefs, I can assure you that it will be the evidence that is at fault and not my beliefs.”
My favorite tale was the allegorical, heart-warming/heart-breaking “Seventy-Two Bricks.” An engaged couple, Geoffrey and Tiffany, come across a seemingly misplaced bridge constructed of 72 bricks. Tiffany’s perplexed, but Geoffrey quickly finds two items laying at opposite ends of the bridge. He finds comfort in figuring out a connection between the disparate objects. Later that day, elsewhere, they find an identical bridge, and again two items at either end. Geoffrey notes the categorical connection, while Tiffany finds their initials right where she’d etched them into the first bridge.
Weeks later, the couple find a wall constructed of 72 bricks. Two items lie separated by the wall. And most curiously, the couple’s initials are etched into one of the bricks. Geoffrey despairs at not being able to determine the categorical connection between the 2 items and confesses that he has seen said bridges and walls his entire life. The bridges always cheer him, while the walls depress him. Not wanting to see her beloved despairing, Tiffany sets herself to the task of finding a categorical connection between the objects. When she does so, the wall transforms . . .