This novella taking pace in the lunar dome-city of Armstrong fits into the larger Retrieval Artist world, but stands alone quite well [in the opinion of this reviewer who’s never read anything by Rusch before, nor heard of this series].
The novella opens with the promise of a tight detective tale with alternating POVs between detective Noelle DeRicci and coroner Ethan Broduer as they both investigate a body dump in a crate of compost slated to be spread over the dome-city’s food farms. Things get more complicated in the identification process in this world of natural humans, aliens, and both slow-grow and fast-grow clones. Laws are different around each with clones merely counting as property for their creator.
While the larger human rights issues surface, especially as it deals with clones, the tale zeroes in on the convoluted politics of the crime families, ruling Earth Alliance, and the dirty city politics. Surprisingly and disappointingly, more POVs are added to the rush of narrative pulling the tale cleanly away from DeRicci and Broduer. The head of the main crime family whose fired nanny was the composted body, his head of security, and DeRicci’s politically motivated boss take over the narrative leading to a largely unsatisfying non-ending.
This tale appears in The Year’s Best Fantasy & Science Fiction Novellas: 2016 edited by Paula Guran, which I received directly from Prime Books.
[Check out my other reviews here.]