Original Poetry: Columbine Symphony

[Barely 72 hours ago, Garissa University in Kenya became the latest site in a long line of terrorist attacks, with 147 dead. Less than 48 hours ago, Paris joined the list enduring horrific terrorists attacks that will reverberate for years. Ask New York, Madrid, London, vacation spots in Bali and Egypt. It’s always a wake-up call, but I’m left not understanding the motives and intentions, merely the fear and helplessness. I’ve tried to capture those feelings of fear and helplessness in the face of a terrorist attack, as a means of understanding. And, ultimately as a prayer for peace. The attack in the poem is the armed siege of Columbine High School by two teenagers.]

Columbine Symphony

I.   Allegretto marcato
 
twenty-three minutes
      of disordering. Alone,

this plaintive quaver of alto
      flute succumbs to the dissonant
landscape of Amériques
      Edgard Varèse’s percussive polyphony
of whip and slap-
      stick; castanets.
The lion’s roar emanating
      from horse’s hair.
The pitched continuum of sirens
      in response

to the report of shotguns,
      propane bombs, pipe bombs, fire
bombs. The muted tympani
      of tumbled books hitting their spines and splaying.
The rattle of embedded glass
      in slammed wooden doors. Glass shrapnel
rapping the cinderblocks.

For twenty-three minutes
      in Amériques, thirteen percussionists
are gathered and spent.
 
 
 
II.   Adagio moderato
 
      My little brig
of cinder-brick shrink-wrapped in reflective
      stark cream, lit with the mosquito-frequency
hum of sputtering fluoro-bulbs.
      Orange-peel plastic chairs at the ready.

Each with a pressed-wood writing board—
      a splinted wing not covering: knees,
restless thighs, hems of shorts.

The heavy airlock door opens to adolescents
      skulking the viewless hallway avoiding
this windowless cul-de-sac. An open eye
      porthole in the door stares out
on the ramped passage; or in.

The pushpin and yellowed paper boast
      posted protocols above
a dozen shelved, corner-curdled texts;
 
 
 
III.   Andantino con dolcezza
 
loose illegible pages,
      the shed aspen leaves screen
the woven and split chrysalis;
      an emergent Rocky Mountain
Parnassian. Pupil-less eyes-spots
      peer from unfurling grizzled sails

seeking a meadow-breeze bright
      with the wafting essence of the Alpine
Dwarf Columbine. Lavender and white
      leaning from its pedicel—
a pedestal for an apollo
      siphoning the perennial liquor.

This substantiated butterfly,
      with a flutter,
releases two feet at a time;
      crescendos on an updraft
to layers soothed
      by the lion-pawed edelweiss.
 
 
 
 
 
[Check out other original poems here.]

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